Daum Nancy ‘Coloquinte’ Flacon
Regular price
$35,000
This exquisite Daum Nancy ‘Coloquinte’ Flacon (perfume bottle) combines a dazzling array of techniques. The body of the vase uses the intercalaire technique, whereby green, yellow ochre and burnt umber powdered glass was sprinkled between glass layers, giving a highly textured finish. The stem utilizes Venetian techniques, whereby canes of light and dark green glass were pulled and twisted into a veined stem. The shape of Daum’s vase was inspired by the Chinese huluping, a gourd-shaped vase full of auspicious meanings, from fertility to immortality and happiness.
Item #: G-20999
Artist: Daum Nancy
Country: France
Circa: 1910
Dimensions: 11" height, 5" diameter
Materials: Glass
Signed: engraved DAUM NANCY with the Croix de Lorraine
Literature: R. and L. Grover, Carved & Decorated European Art Glass, Tokyo, 1970, p. 103, pl. 148
V. Arwas, Glass Art Nouveau Art Deco, New York, 1977, p. 58
J. Bloch-Dermant, The Art of French Glass 1860-1914, New York, 1980, p. 154
N. Daum, Daum Maitres Verriers, Lausanne, 1980, p. 57
S. Barten, Daum Nancy: Glas des Art Nouveau und Art Déco, Zürich, 1986, p. 35
F.T. Charpentier, et al., Art Nouveau L'École de Nancy, France, 1987, p. 139
C. Pétry, N. Maury, Daum dans les musées de Nancy, Nancy, 1989, cover and p. 178, no. 64
A. Duncan, The Paris Salons 1895-1914, Vol. IV: Ceramics and Glass, Woodbridge, 1998, p. 36
H. Ricke, E. Schmitt, Glas des Art Nouveau: die Sammlung Gerda Koepff, München, 1998, p. 232, no. 118
K. Büttiker, Daum Frères: Verreries de Nancy, Glaskunst aus der Zeit 1892-1932, Zürich, 1999, p. 114
Item #: G-20999
Artist: Daum Nancy
Country: France
Circa: 1910
Dimensions: 11" height, 5" diameter
Materials: Glass
Signed: engraved DAUM NANCY with the Croix de Lorraine
Literature: R. and L. Grover, Carved & Decorated European Art Glass, Tokyo, 1970, p. 103, pl. 148
V. Arwas, Glass Art Nouveau Art Deco, New York, 1977, p. 58
J. Bloch-Dermant, The Art of French Glass 1860-1914, New York, 1980, p. 154
N. Daum, Daum Maitres Verriers, Lausanne, 1980, p. 57
S. Barten, Daum Nancy: Glas des Art Nouveau und Art Déco, Zürich, 1986, p. 35
F.T. Charpentier, et al., Art Nouveau L'École de Nancy, France, 1987, p. 139
C. Pétry, N. Maury, Daum dans les musées de Nancy, Nancy, 1989, cover and p. 178, no. 64
A. Duncan, The Paris Salons 1895-1914, Vol. IV: Ceramics and Glass, Woodbridge, 1998, p. 36
H. Ricke, E. Schmitt, Glas des Art Nouveau: die Sammlung Gerda Koepff, München, 1998, p. 232, no. 118
K. Büttiker, Daum Frères: Verreries de Nancy, Glaskunst aus der Zeit 1892-1932, Zürich, 1999, p. 114
In both European and Asian cultures, the gourd is depicted in beggar genre art. In Chinese culture, the gourd is the symbol of Li Tie-Guai, one of the eight Daoist immortals, who uses his power to fight for the oppressed and needy. In European art, the gourd was a motif in Fancy pictures, genre paintings of beggars and pilgrims.
In both European and Asian cultures, the gourd is depicted in beggar genre art. In Chinese culture, the gourd is the symbol of Li Tie-Guai, one of the eight Daoist immortals, who uses his power to fight for the oppressed and needy. In European art, the gourd was a motif in Fancy pictures, genre paintings of beggars and pilgrims.
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